DREAMS OF THE END AND BEGINNING OF THE WORLD

It is winter in Ushuaia and I am reading Mary Shelley’s diary: “What else can oblivion be but an inactivity of memory?” From that question this series emerges, exploring the fragility of memory and the way time alters the original meaning of what is lost. Memories appear fragmented, idealized, crossed by gaps and detours, like scenes that surface in a dream.

The sequence breaks with all chronological linearity and is built from intuitive, affective, and discontinuous associations. Here the dream works as an image of desire, a space where the absent can still be summoned, even if only partially, diffusely, or impossibly.

Between remains, projections, and evocations, the series proposes inhabiting that ambiguous threshold between disappearance and permanence, between the end of a world and the still-fragile possibility of a new beginning.